tv [untitled] March 5, 2012 12:30pm-1:00pm PST
♪ [applause] >> keep the applause going for the fabulous lisa malone. that was just terrific. [applause] i almost wore the same thing today. [laughter] would have been so awkward. [laughter] no, she was fantastic. now, everyone, without further ado, ladies and gentlemen, please welcome our host, the
43rd mayor of the city and county of san been cisco, the honorable edwin m. lee -- the 43rd mayor of the city and county of san francisco. [applause] mayor lee: wow, welcome to city hall. and thank you, beach blanket babylon. what a wonderful performance. let's give her another hand. that was just fantastic. when i started being mayor of the city, i turned to our protocol officer and said, "you know, charlotte, we are going to do a lot of work this year, but these years forthcoming, as we work hard, i want to also have fun. isn't this fun? all right. [applause] this is our 50th anniversary of the wonderful song, "i left my heart in san francisco."
tony, it is wonderful for you to be here and grace us and honor us with your presence. your 17 grammys are just so unprecedented. you just won two more this past week, and what a wonderful career. congratulations, tony. i want to thank our school of the arts. i want to thank our boys and girls choruses. thank you. wonderful performances. it is a fitting tribute that our boys and girls choruses and ouryouth -- our yout are here today to perform because they reflect tony's dedicated career to ensure the future of arts education. we have seen what he has done and seen what his support is, and he is encouraging youth to
be leaders on and off the stage, to make sure they grow up with the values and the shared values that he has. this is such a wonderful opportunity. i also want to thank some of the school kids especially here today. we have kids from our tenderloin community school. thank you for being here. [applause] all right. we also have, for the first time, at the request of -- the idea ofcesa -- that cesar chavez elementary school wanted us to webcast this live, so we did it for them. wherever you are, welcome. [applause] tony, for 50 years, you have helped us not only remember a great song, but whenever any of us leave our town, we always come back and call san francisco our home.
i know we talked a little earlier and tried to recall that wonderful initiation where in 1961, you first sang that song in the venetian room up at the fairmont. little did you know at the time that then mayor george christopher was in the audience with joe alioto. it was such a marvelous performance that when joe became mayor, he adopted that as one of our two official anthems. thank you for performing first in san francisco. [applause] tony, you have helped us celebrate so many milestones in our city. you have helped us after earthquakes to come back and revive the spirit of our wonderful city. you have designed the wonderful art pieces to raise funds for
those who need that service. you help us to reopen. after earthquakes, you have helped us climb -- not half way, you have helped us climb all the way to the stars with the -- a nation of our cable cars. you have just -- i in your career, you have generated more love and more nostalgic for our bay area -- more nostalgia for our bay area than all the songs and all the movies and all the television shows associated with us combine. for that reason -- it is really for that reason, tony, that it is my pleasure if you would please come up, to declare today, valentine's day, february 14, 2012, as tony bennett day in san francisco.
[applause] and also, on behalf of all of us and with all of our love and with all of our hearts together, to present to you the key to the city of san francisco. [applause] >> would you like to say a few words? you have 45 minutes. [laughter] >> well, i would like to thank mr. ralph sharon, my great
friend and musician, for finding this song. i was in little rock, arkansas, and we were on our way for the first time in my life. he found a song, and he said, "why don't we do this in san francisco?" i said ok, and i have no idea, but there was a bartender who said, cassette and i don't mean to interrupt your rehearsal, but if you record that song, i'm going to be the first customer -- "i don't mean to interrupt your rehearsal, but if you record that song, i'm going to be the first customer." as i started singing it, the people came up and said, "you
have to record the song immediately." i always thought it would be a local song in the area, but the fact that it has become such an international song throughout the world -- everybody loves it, and they love this city. it reminds me of one time when i was playing the fairmont hotel, gorbachev from russia with here and travel throughout the whole united states and in front of the company could tell, i was listening to him speak about san francisco. he said, "i traveled to every city in the united states, and i was disappointed with what i saw. there was not one city that i liked, but as far as i'm concerned, san francisco is so beautiful that i would like to design 15 cities in russia that look like san francisco." [laughter]
and he was right. [applause] my wonderful wife, my family is here. i'm thrilled. thank you very much. i must say -- excuse me, i have to mention one thing. i have never seen anything in my life as beautiful as these young people. [applause] you stand so beautiful. [applause] -- you sang so beautiful. [applause] >> it is tony bennett day in san francisco. [applause]
just fantastic. now, before we leave here today, just one more time, let's hear that special song one more time, now performed by the talented san francisco gay men's chorus, who will be joined by -- yes -- who will be joined by all of our performers here today and then all of you. you can sing along by following the lyrics on the screens. ladies and gentlemen, the san francisco gay men's chorus. [applause] ♪ >> ♪ the loveliness of paris seems some house sadly -- somehow sadly gay the glory that was rome
me ♪ [applause] >> very nice job, everybody. well, as we close here today, mr. bennett, you have always had the key to our hearts. now you have the key to our city. we hope to see you back here soon in your city by the bay. thank you for this wonderful gift you have given us all these years and thank you so much for letting us honor you today. tony bennett day in san francisco. once again, for the man of the
>> the right to vote allows us to vote for candidates or party and it is a significant way to have our voice heard. exactly 100 years ago, women were given the vote in california. the battle for women's suffrage was not an easy one. it took more than 70 years. a woman could run for president in new york. >> organizing this conference, basically it modeled itself on a declaration of independence for
women. it marked the beginning of the women's equality movement in the united states. >> at that time, women were banned from holding property and voting in elections. >> susan b. anthony dedicated her life to reform. >> suffrage in the middle of the 19th century accomplished one goal, it was diametrically opposed to this idea. >> many feared it would be corrupted by politics. >> women in the 19th century had to convince male voters that having the vote would not change
anything. that woman would still be devoted to the home, the family, that they would remain pure and innocent, that having the vote would not corrupt them. >> support gradually grew in state and local campaigns. >> leaders like ellen clark sgt come repeatedly stopping these meetings -- , repeatedly stopping these meetings as a politically active figure. doing everything they could to ground the campaign in domesticity. >> despite their efforts, the link made it tough whenever voters were in the big city. a specialist in francisco. >> the problem with san
francisco is that women's suffrage as an idea was associated. >> susan b. anthony joined the provision party. a deadly idea in san francisco. liquor was the foundation of the economy. and >> anything that touched on the possibility of prohibition was greatly and popular. >> the first campaign was a great effort, but not a success. >> the war was not over. less than one decade later, a graphic protests brought new life to the movement. >> women's suffrage, the
republican convention in oakland, this time it was the private sector response. 300 marched down the streets of the convention center. women were entitled to be here. >> joining together for another campaign. >> women opened a club in san francisco. it was called the votes for women club. if she could get the shopkeepers to have lunch, she could get them to be heard literature. the lunch room was a tremendous success. >> it was the way that people
thought about women willing to fight for a successful campaign. what happened was, the social transformation increase the boundary of what was possible, out word. >> there were parades and rallies, door to door candidacies, reaching every voter in the state. >> the eyes of the nation were on california in 1911, when we all voted. it was the sixth and largest state in the nation to approve this. one decade later, we have full voting rights in the united states. helping newly enfranchised women, a new political movement
was founded. >> starting in the 1920's, it was a movement created by the suffragettes moving forward to getting the right to vote. all of the suffragettes were interested in educating the new voters. >> non-partisan, not endorsing candidates >> -- endorsing candidates, getting the right to vote and one they have their voice heard. >> the 100th anniversary of women's suffrage is taking place throughout the state. bancroft library is having an exhibit that highlights the women's suffrage movement,
chronicling what happened in california, bringing women the right to vote. >> how long does this mean going on? >> the week of the 20th. people do not realize that women were allowed to vote as early as the 1920's. in the library collection we have a manuscript from the end of december, possibly longer. >> in commemoration of 100 years of voting in california. 100 years ago this year, we won the right to vote. around 1911, this is how it would have addressed. and here we are, dressed the
>> here we are at the embarcadero. we are standing at one of locations for the street artists. can you tell me about this particular location, the program? >> this location is very significant. this was the very first and only location granted by the board of supervisors for the street artist when the program began in 1972. how does a person become a street artist? there are two major tenants. you must make the work yourself and you must sell the work yourself. a street artist, the license, then submitting the work to a committee of artists. this committee actually watches
them make the work in front of them so that we can verify that it is all their own work. >> what happened during the holiday to make this an exciting location? >> this would be a magic time of year. you would probably see this place is jammed with street artists. as the no, there is a lottery held at 6 in the morning. that is how sought after the spaces are. you might get as many as 150 street artists to show up for 50 spaces. >> what other areas can a licensed street artist go to? >> they can go to the fisherman's wharf area. they can go in and around union square. we have space is now up in the castro, in fact. >> how many are there? >> we have about 420. >> are they here all year round?
>> out of the 420, i know 150 to sell all year round. i mean like five-seven days a week. >> are they making their living of of this? >> this is their sole source of income for many. >> how long have you been with this program. how much has it changed? >> i have been with the program since it began 37 and a half years ago but i have seen changes in the trend. fashion comes and goes. >> i think that you can still find plenty of titis perhaps. >> this is because the 60's is retro for a lot of people. i have seen that come back, yes. >> people still think of this city as the birth of that movement.
great, thank you for talking about the background of the program. i'm excited to go shopping. >> i would like you to meet two street artists. this is linda and jeremy. >> night said to me to print them -- nice to meet you. >> can you talk to me about a variety of products that use cell? >> we have these lovely constructed platters. we make these wonderful powder bowls. they can have a lot of color. >> york also using your license. -- you are also using your license.
>> this means that i can register with the city. this makes sure that our family participated in making all of these. >> this comes by licensed artists. the person selling it is the person that made it. there is nothing better than the people that made it. >> i would like you to meet michael johnson. he has been in the program for over 8 years. >> nice to me you. what inspired your photography? >> i am inspired everything that i see. the greatest thing about being a photographer is being able to show other people what i see. i have mostly worked in cuba and work that i shot here in san francisco. >> what is it about being a
street artist that you particularly like? >> i liked it to the first day that i did it. i like talking to mentum people. talking about art or anything that comes to our minds. there is more visibility than i would see in any store front. this would cost us relatively very little. >> i am so happy to meet you. i wish you all of the best. >> you are the wonderful artist that makes these color coding. >> nice to me to. >> i have been a street artist since 1976. >> how did you decide to be a street artist? >> i was working on